![]() I thought games, such as Fable, that had endings/character skills/appearances specifically designated based on moral alignment were nice though. Fact is: Crime pays better and I see no reason why games shouldn't reflect this. Good Guys finish last -> that's always been a true statement. In fact, last time that came up the discussion became multiple pages long and there were no design ideas that could satisfy everyone. Otherwise, you're just having a morality debate about what actions should or should not be allowed or encouraged.and that's a ridiculous notion. Skyrim's mods that have gaurds investigate or DO2 where people notice something wrong is the natural evolution. Sort of like the first game where the player just goes into every house and steal every expensive painting or jewelry, because books were expensive and you could read every book and it was so easy to steal. Imagine the game being released and every single player's first decision is to be a crime lord because the rewards are so good compare to other civil skills, not because everyone have a thief heart but because the game encourages it. The game already encourages players to murder every innocent or not innocent beings for experience and you want to encourage them to rob and steal everything also? The game is, despite the customization options and spell "choices" VERY linear in how you play it. There isn't a non-aggressive way to use magic that isn't a buff or heal that doesn't have the NPCs jump down your throat. There isn't a non-aggressive way to use sleeping magic. If I want to roleplay as a master thief and rob everything, I can't. This feels like I'm going back in time to disgustingly restrictive gameplay. I thought the games industry was about taking what works to make your games better while still providing a new experience. Skyrim had a great idea, and few games have every tried to capitalize on it since. They didn't design a creative reason NOT to steal. ![]() ![]() Being alert for months at a time is illogical and just a way for the devs to preventyou from gaining massive amounts of items by slowly cheesing the theft system. You're limited to a single theft with pathetically low amounts of value and can NEVER steal from that merchant again. You can't steal their armor, weapons or accessories as you could in Skyrim to tilt the fight vastly in your favor. It's designed entirely to make sneaky play less viable outside of combat. Pickpocketing in the current state makes little sense. ![]()
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![]() ![]() The communication for Parle-G has always been about taste and strength. Parle-G is consumed by people across ages irrespective of income levels and social backgrounds. But just like before, this biscuit still hits the sweet spots all around the bullseye. Today, the target audience for Parle-G is mainly six-to twelve-year-old kids and their mothers. In 2012, its distribution network covered approximately six million retail stores across the country. This has helped them with market penetration, which in turn has played a vital role in its success and popularity. Since a slight increase in pack prices can result in a temporary dip in demand, Parle has used in-house procurement and packaging solutions to help maintain prices which are still just a few rupees for small packs. But the crucial factor has always been its affordability as Parle-G’s market is extremely price-sensitive and it is perceived as a value-for-money buy. Of course, Parle-G delivers on taste and nutrition and sometimes even works as a substitute for a meal or in keeping the customer mentally alert. For the customer, digging into a pack of Parle-G has always been about several, quite different things. It stood out in every way, setting itself apart from biscuits sold in jars. Large-scale branding exercises helped tell consumers how Parle-G was ‘often imitated, never equalled’. In 1982, Parle Gluco became Parle-G but the girl on its packaging remained constant along with other elements such as the font used for the brand lettering and the white and yellow stripes, though subsequently the stripes changed from horizontal to vertical and then to slanting. Created as an illustration by Maganlal Dahiya – a creative professional at Parle’s advertising agency Everest Brand Solutions – the Parle girl with her chubby cheeks and large eyes, and wearing a white dress (which, incidentally, she hasn’t changed out of in decades), was instantly liked by mothers and kids alike. The need for a distinguishing factor prompted the Parle girl to make her first appearance. Undiscerning customers would simply walk into shops asking for glucose biscuits, which had become a generic category among biscuits. In the 1960s, by the time Britannia launched a rival glucose biscuit – Glucose D – there were already a number of other smaller players in the market, many producing glucose biscuits and some of them even producing knockoffs of Parle Gluco. Britannia, the other Indian biscuit-maker was based in Calcutta (now Kolkata), and while they were a name to reckon with in the eastern part of India, they did not manufacture glucose biscuits. They were marketed as an affordable source of nourishment, and that is the positioning that Parle has more or less stuck to for decades.ĭuring the British Raj, the other biscuits available were expensive – mainly imported brands like Jacob’s Cream Crackers from United Biscuits, Huntly & Palmers biscuits and Glaxo glucose biscuit. Initially, they produced military-grade biscuits to supply to the British Army fighting in World War II, but eventually the Parle Gluco biscuits were also manufactured for local consumption. Parle Gluco came into existence around 1939, about a decade after the Parle factory in Vile Parle in Mumbai (that’s where the company’s name was derived from) began producing confectionery like boiled sweets. Parle-G, or Parle Gluco, comes from Parle Products, which owns other biscuit brands like Monaco and KrackJack as well as confectionery brands like Melody, Mango Bite, Poppins and Kismi, among others. Whatever the age, education or mother tongue of the customer, he or she can identify the biscuit pack they want simply because of the familiar child on it. ![]() What is important is the sweet brilliance of Parle-G’s branding and marketing. (Really? We’ve spent a lifetime speculating on an illustration?)īut that’s not the important thing here. Well, it turns out that the Parle-G girl is not a real girl at all, but an illustration created in the 1960s by the company’s advertising agency, Everest Brand Solutions. ‘Finally revealed: Parle-G girl badi ho kar Airtel 4G girl ban gayi hai.’ ![]() ‘Just revealed: the Parle-G girl is Gunjan Gudaniya.’ ‘Revealed: The Parle-G girl is Sudha Murthy.’ Such is the curiosity inspired by the girl that question answer sites are, in fact, crawling with detectives claiming to possess definite knowledge of her identity. ![]() ![]() ![]() According to Wikipedia, a prototype is, “A first or preliminary version of a device or vehicle from which other forms are developed.”įor the software development world, the definition can be adapted as, a preliminary version of a page, screen, or functionality, which supports the other development by visualizing the screen elements effectively and showcasing the interactions. ![]() This small but meaningful example precisely illustrates the purpose of a prototype. These were constructed with (of course) a smaller version in order to take the agreement or approval from the ruler. When it comes to architectural development, in Egypt, there are prototypes of the Great Pyramids of Giza. You must first enter some default text on a widget in a component before the text can be overridden at the page level.The word prototyping is very common and relevant to folks in Software Development as well as Architectural development. You can also break away individual instances by right-clicking and selecting Break Away in the context menu.Īfter adding an instance of a component to the canvas, you can use the Overrides section of the Interactions pane to change the text and images on widgets in the instance. You can toggle this behavior on an instance-by-instance basis by right-clicking an instance of a component and selecting Lock to Component Location in the context menu.īreak Away: When placed on the canvas, instances of the component immediately become regular widgets that are no longer linked to the source component. Furthermore, only one instance of the component can be added to a page or another component since subsequent instances would overlap the first. Lock to Component Location: Restricts all instances of the component to the exact coordinates of the widgets on the component's own canvas. Place Anywhere (default): Allows you to place instances of the component at any coordinates you want on the canvas. You can change how each instance of a component behaves when added to the canvas by changing its "drop behavior." To do this, right-click the component in the Components pane and select from the following options under Drop Behavior: You can also add a component to multiple pages at once or remove a component from multiple pages at once by right-clicking it in the Components pane and selecting either Add to Pages or Remove from Pages. Masks are not applied in the web browser. You can toggle the overlay at View → Masks. Component instances on the canvas have a pink border mask. To add a component to a page or to another component, drag it from the Components pane and drop it onto the canvas. ![]() To learn more, check out the Component Views article. They allow you to create the component once and then rearrange, resize, and restyle its widgets for each of your contexts. For example, if you create a Page Loaded interaction inside the main component, that interaction will take place when a page containing an instance component loads in the web browser.Ĭomponent views: Component views, similar to adaptive views, are alternate versions of a main component that you can create for the different contexts where you expect to use the component. Page interactions: Interactions you create under page-level events inside a main component will fire along with the page events of pages you add a component instance to. You can learn more about working with notes in the Page and Widget Notes article. Page notes: At the top of the Notes pane, you can use the Page Overview field to enter notes about the component itself. This canvas color is only visible when you're editing the main component itself it does not appear on pages you add a component instance to. For example, you can set the canvas to a dark color when working with light text and widget fill colors. In addition to their contained widgets, components have page-like properties you can configure:Ĭanvas color: You can change a component's canvas color to facilitate the design process. The component will open in a new tab on the canvas. To edit a component and its contained widgets, double-click its name in the Components pane or double-click any instance of it that you've added to the canvas. ![]() ![]() ![]() Your subscription will automatically renew unless canceled at least 24 hours before the end of the current period.Subscriptions will be charged to your credit card through your iTunes account.SBQ Cloud Subscription - unlimited project storage for access anytime, anywhere, on any device for.Subscribe now to SBQ Cloud and your first month is free. Your cloud subscription will open the door to unlimited upload/download storage of your projects for easy access to your projects on both your desktop and your iPad. Now upload and download through our SBQ Cloud. StoryBoard Quick DIRECT is a great tool for when the inspiration hits you when you're on the go. Upload your storyboards to your own cloud and open them right onto your desktop for editing and sharing in the latest versions of StoryBoard Quick or StoryBoard Artist where you can substitute characters, add more elements, import your script and more. Now, you can even take your mobile storyboards and work on them in your copy of StoryBoard Quick or StoryBoard Artist. Upload to your desktop StoryBoard Quick and StoryBoard Artist! Rearrange frames with the swipe of your finger and jump to any frame in the sequence for additional editing. View your entire project as thumbnails in the overview window. Set and save the frame duration, sit back and watch the show. Want to see your storyboards in motion? Just press play and watch your storyboard sequence play back on your mobile device. Set the font, font size and font color and your captions can be visible during playback as well! Zoom-in, Zoom-out and add directional arrows to define the action or camera movement.Įvery frame has its own caption for director's note or dialog. Even add more characters from our popular desktop versions. StoryBoard Quick Direct comes with great-looking looking actors in multiple positions and rotations so blocking the shot is a snap. Insert any photo on your iPhone or iPad to use as a location/backdrop or when something inspires you, take a photo right where you are and use it instantly! The HD version for your iPad boasts a bigger, Hi-Def interface to make composing your storyboards even easier! StoryBoard Quick DIRECT is a great tool for when the inspiration hits you when you're on the go.Plan your shots with the best pro storyboarding tool for the iPadįrom the creators of the #1 desktop storyboarding application, PowerProduction Software, comes the mobile app designed to assist filmmakers of every level compose shot ideas – on the go! 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StoryBoard Quick Direct is the mobile pre-visualization tool to create and show off your storyboards and cinematic ideas, wherever you are! And, as a bonus, import them into your laptop application and keep boarding. ![]() ![]() Garbage and Recycling carts are the property of the City. Do not remove carts from the assigned address, paint, abuse, mutilate, or modify carts. If your trash container gets damaged, has a broken lid or tire, call customer service at (956) 381-5635 to schedule for repair.
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Text memes should be relevant to discussion. ![]() Use clear, concise title names - Titles must be clear, concise, and not worded in a misleading fashion.ĭo not post memes or joke posts - Meme images should be posted on /r/dndmemes. Do not suggest ways for such material to be obtained. Please respect the opinions of people who play differently than you do.ĭo not suggest piracy - Any non-fair use posts containing closed content from WotC or any third party will be removed. ![]() Please join us on our discord, and our new Lemmy server:īe civil to one another - Unacceptable behavior includes name calling, taunting, baiting, flaming, etc. I've gone through a lot of reading to find a clear answer and people are giving so much information about multiclassing Warlock/Sorcerer that it is too much for a beginner.A place to discuss the latest version of Dungeons & Dragons, the fifth edition, known during the playtest as D&D Next. I was looking for a good build and was absolutely shocked to find out you could cast 2x Eldritch Blasts per turn! This is exactly the kind of overpowered combo that I usually seek while playing.īut I'm not sure that I understand properly, could someone confirm me that it is possible to cast 2x Eldritch Blast with the use of either Twinned Spell and/or Quickened Spell? I am playing a lvl 2 Warlock with an unconditional love for Eldritch Blast, which I boosted with the two invocations (the one that permits extra long range and the one that adds charisma modifier to damages).įor a RP reason I wanted to multiclass as Sorcerer (playing in a Lovecraftian party and Nyarlatotep is giving me an implant). Hi everyone, I am relatively new to DnD 5e (never played the other ones) but I'm really used to other franchise. 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For more information on which flair to use check here. ![]() A place to discuss the latest version of Dungeons & Dragons, the fifth edition, known during the playtest as D&D Next. ![]() ![]() ![]() Dating from a time – the Copper Age – when the division of labour between women and men on Cyprus seems to have had parity, the majority of the enigmatic taliswomen-men were found in domestic spaces or near what could be prehistoric birthing centres. A number of the figures, made of the soft stone picrolite, have shrunken versions of themselves worn, as amulets, around their own stone necks. Lovingly laid in Edwardian wooden cabinets, they are an extraordinarily vivifying connection to a prehistoric past. I first met these inter-sex marvels in the atmospheric back storerooms of the old Cyprus Museum in Nicosia. ![]() But what about her physical trail? What does the archaeology in the ground reveal about the historical inception of Aphrodite and of her adoration?Īphrodite, born from the sea in a shell, c. The ancients had a vivid mental picture of how their supernatural goddess of love and desire was conceived. It is a story, with some variations (an alternate myth suggested that Aphrodite was the daughter of the king of the gods, Zeus, and the sea nymph Dione), that was told and retold across the Mediterranean world. This is how many in Ancient Greece explained Aphrodite's birth. Aphrodite is far more than an attractive figure on a Valentine's Day card. Born from abuse and suffering, this sublime force is being described to us not just as the goddess of mortal love, but as the deity of both the cycle of life and life itself. This broiling, gory mass proceeded to travel the Mediterranean, from the island of Kythera to the port of Paphos in Cyprus.Īphrodite, an incarnation of fecund life, was accompanied, as she made her flower-sweet progress through the dusty earth, by gold-veiled Horai, the two Greek seasons of summer and winter, spirits of time and of good order. From the frothing sea-spume rose "an awful and lovely maiden", the goddess Aphrodite. As the bloody organs hit the water, a boiling foam started to seethe. Gathering up a serrated flint sickle, Kronos frantically hacked off his father's erect, rutting penis and threw the dismembered phallus and testicles into the sea. The earth goddess Gaia, sick of her eternal, joyless copulating with her husband-son, the sky god Ouranos (sex which left Gaia permanently pregnant, their children trapped inside her), persuaded one of her other sons, Kronos, to take action. Venus – or Aphrodite as she was originally called by the Greeks – was a primordial creature, said to have been born out of an endless black night before the beginning of the world.Īncient Greek poets and myth-makers told this ghastly story of her origins. ![]() |
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